• 电影名称 Huang xin jia qi

  • 中文名称 慌心假期
  •  类型  戏剧
  •  国家  中国香港
  •  语言  阿拉伯语 / 法语 / 英语 / 粤语
  •  时长  1 hr 50 min (110 min)
  • 上映时间 12 July 2001 (Hong Kong)
Here's an example of a movie that doesn't work even if you hire thebest actors to do their job.The movie seems to have Japanese production, and no doubt it hasJapanese movie like story, to it. They might of thought that hiring thebest of Hong Kong acting talent, and combine it with Japanese-ishvisua...
I watched this because I am a big Anita Mui fan, and at first I didn'twant to watch it because of the reviews. I was definitely prepared forthe "Genre" switch halfway through the film but I do believe it'sdefinitely a drama. I loved the beginning, but not so much the ending.The background shots are ...
The movie suffers from the same ailment that befalls most HK mademovies in that it has the most ridiculous and contrived plot line. Badscript doesn't belong exclusively to HK movies, of course; Hollywoodspews out many as well, but percentage wise, HK takes the cake. Whatare the odds that the wife an...
This movie has a real interesting plot. Anita Mui's character's marriageisfailing and by chance she bumps into her husband's mistress (who's pregnantwith his child) on a trip in France. When they go to Morocco, however, themistress mysteriously disappears. Most of the film was shot in English and...
I've never seen a film of Anita Mui's when she was still with us, sothere is an air of poignancy, especially in a film like this. The storyof two ladies, Michele (Anita Mui) and Miki (Junna Risa), meet on atour bus in France and bond. This part of the film is great, they seemto have an affection for...
Having read the last reviewer's comments ("Beautiful movie. . . "), I feltaneed to write this review. 'Beautiful' shouldn't be the word to describethis movie, although I would concede that the movie was RIVETING,especiallythe 2nd half. The story starts out portraying a developing relationshipbetwe...
This film has a beautiful package--gorgeous settings, beautiful stars,astonishing photography--but surprisingly void of content. Suspendingdisbelief at the plot's central conceit is nigh on impossible, forstarters... then, the contrivance of the kidnapping--which plays into manyforeigners's worst p...
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